# From shooting the film, inverted, creating a positive film ... # From this positive film, make the expanding negative film. # Up to this point, working in a dark room.
An image appears. It is dry and one step is completed. Repeat this process, replacing the pigment with C ・ M ・ Y ・ B. For this print, I used C, M, Y photosensitizers.
# Is from here, it will be bright indoor work. # Waterproof photographic paper, coating the pigmented photosensitive solution, dried ... # To this, ... I piled the negative film # Sunlight, etc. UV fluorescent lamp, exposure. # In developing ... tap water, while flowing, with a sponge or brush, # Image, Once you have, turn off the water, and then dried, voila. # This step, performed several times, to adjust the image quality, finish.
The technique of three primary color plus feature ... in commercial printing ... ww that was established in the 1970s, that is, printing was better than the limit of print expression. It is my gum pigment printing system.
Mixture of pigment and photosensitizer on printing paper, plastic paper, Roughly spray. After drying, overlay the magnifying negative and use the UV exposure machine, Burn.
Analog pigment printing with monochrome negative film ... ww Speaking of vintage prints in the 1980's ... It was only about Kodak's ≪Die Transfer Print≫. However, even this is dyed, so there is no weatherability ... Then, after making the original by die transfer, ... Digital, pigment jet printing, enlarged copy, etc. Rough work came out, expensive, seems to be trade ww JazzPigmentPrint Development as an art work.
[カシオ]CASIO 腕時計 スタンダード MQ-24-7B2LLJF Pigment photography production is surprisingly . However, as there are many variable elements, like the normal picture, you can not always make the same thing. That's where the interest is divided. This is a photo illustration to the last. It is not computer graphics either. The ultimate goal is the original vintage print.